

Marcel L'Herbier
Marcel L'Herbier (1888-1979) was a French filmmaker who achieved prominence as an avant-garde theorist and imaginative practitioner with a series of silent films in the 1920s. His career as a director continued until the 1950s and he made more than 40 feature films in total. During the 1950s and 1960s, he worked on cultural programmes for French television. He also fulfilled many administrative roles in the French film industry, and he was the founder and the first President of the French film school Institut des hautes études cinématographiques (IDHEC). In 1921, only three years after his first film, Marcel L'Herbier was voted by readers of a French film magazine as the best French director. In the following year, the critic Léon Moussinac marked him as one of the filmmakers whose work was most important for the future of cinema. In this period, L'Herbier was linked with filmmakers such as Abel Gance, Germaine Dulac and Louis Delluc as part of a "first avant-garde" (Impressionism) in French cinema, the first generation to think spontaneously in animated images.
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Le Carnaval des vérités
1920

The Inhuman Woman
1924

L'Argent
1928

The Scandal
1934

Le marchand de plaisirs
1923

The Flood
1924

The Adventurer
1934

El Dorado
1921

Adrienne Lecouvreur
1938

The Imperial Road
1935

Fantastic Night
1942

Forfaiture
1937

Le Vertige
1926

Rose-France
1919

Prometheus, Banker
1921

Le Bercail
1919

The Man of the Sea
1920

News Item
1923

The New Men
1936

Little Devil May Care
1928

Don Juan et Faust
1922

Cordial Agreement
1939

The Blindness of Youth
1917

Queen's Necklace
1946

Zuiderzeewerken
1930

Princely Nights
1929

The Late Mathias Pascal
1925

Le Bonheur
1934

The Father of the Girl
1953

The Gallery of Monsters
1924