

Michael Findlay
Michael Findlay, along with his wife Roberta Findlay, directed and produced numerous sexploitation movies. They have been described as "the most notorious filmmakers in the annals of sexploitation". In the mid-to-late 1960s, Findlay was prominent among a small group of underground New York filmmakers (including Joseph W. Sarno, Joseph P. Mawra, and Lou Campa) that produced exploitation "roughies" (a mix of sex and sadism) for the grindhouse theater market. Sometimes he would direct under the alias Julian Marsh and act in his own films billed as Robert West. His wife Roberta (aka Anna Riva) was the cinematographer, co-writer, and supporting actress for many of their films together. They also employed the same actors repeatedly, most notably Uta Erickson, and Marie Brent, aka Janet Banzet. The Findlays were friends with George Weiss, producer of Ed Wood's Glen or Glenda and a series of fetishistic Olga films (Olga's House of Shame, Olga's Girls, et al.). In 1964 Weiss encouraged them to make films in this new subgenre of violent sexploitation. Description above from the Wikipedia article Michael Findlay, licensed under CC-BY-SA, full list of contributors on Wikipedia
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The Ultimate Degenerate
1969

A Thousand Pleasures
1968

Snuff
1976

Take Me Naked
1966

Shriek of the Mutilated
1974

Janie
1970

Vice Versa!
1971

Satan's Bed
1965

Body of a Female
1964

The Touch of Her Flesh
1967

The Curse of Her Flesh
1968

The Kiss of Her Flesh
1968

Lusting Hours
1967

Mnasidika
1969

The Sin Syndicate
1965

Take My Head
1970

The Slaughter
1971

Christopher Street Blues
1977

Point Me Toward Tomorrow
1977

Virgins in Heat
1976

Michael, Angelo and David
1976

Kiss Today Goodbye
1976

Wet and Wild
1976

Bacchanale
1970