

Rex Ingram
Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget. In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young director Michael Powell.
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The Four Horsemen of the Apocalypse
1921

The Three Passions
1928

His Robe of Honor
1918

The Garden of Allah
1927

Humdrum Brown
1918

Where the Pavement Ends
1923

Scaramouche
1923

The Magician
1926

Trifling Women
1922

Camille: The Fate of a Coquette
1926

Mare Nostrum
1926

The Arab
1924

The Prisoner of Zenda
1922

The Conquering Power
1921

The Reward of the Faithless
1917

Black Orchids
1917

The Day She Paid
1919

The Galley Slave
1915

The Evil Men Do
1915

Baroud
1932

Under Crimson Skies
1920

The Chalice of Sorrow
1916

Should a Mother Tell
1915

Turn to the Right
1922

The Great Problem
1916

Broken Fetters
1916

The Little Terror
1917

The Flower of Doom
1917

Snatched from a Burning Death
1915

L'évadée
1929