
Sirens drone over the city, announcing a state of emergency involving βdisturbance of the electromagnetic fieldβ, while individuals clandestinely fiddle with soldered bits of leftover technology. The cyberpunk mode of dystopian science fiction did not end in the 1990s; thanks to the pandemic and other crises, itβs back β with a vengeance. Alexandra Karelinaβs film, superbly shot by Egor Protsko, treats this genre in an experimental way, flashing cryptic images and offering bottomless scenarios of social breakdown.
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