Grabbing the popcornโฆ
Grabbing the popcornโฆ
Grabbing the popcornโฆ

The images in migration (empire) are underscored by the constant sound of running or dripping water. Aitken portrays the wild animals in the sterility of the motel rooms as sublime creatures in a diffuse, bright light. Their fur, feathers or eyes are shown in detailed close-ups. In migration (empire) a dynamic is generated that is at once meditative and powerful โ and utterly entrancing. Language(s)
Directed by Doug Aitken
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2005
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