
The film is silent except for four short segments of sync sound, interviews with a man and a woman, which touch on two areas: control and anger; and the pressure of history on oneβs identity-how do I identify myself as βIβ, how as part of a βweβ? The film is visual, perceptual; it was made in awe of the world that goes on with and without us and of our personal, human struggles. It is a film about life and death; a film of discrete units of the eternal and a film of living here and now. It was built up frame by frame-a film about power, played in insignificant terms, in the daily, barely noticed gestures, scenes, frames.
Directed by Barbara Sternberg
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