
In Atmosphere the camera pans back and forth over a body of water at a varying tempo and most people assume that a camera operator is in charge. The final image of the film carries a great deal of significance. It opens up a gap between the filmβs appearance and its reality; what it appears to be β what it imitates β is not an object or scene from everyday life, but a film. Atmosphere is not just an imitation, but an imitation of an imitation, a metafilm that plays with the viewersβ expectations about cinematic form. βR. Bruce Elder, Image and Identity
Directed by Chris Gallagher
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