
Trixi is Dwoskinās most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous 8-hour session. Trixi records Beatrice Corduaās responses to the situation, from initial shyness, fear and withdrawal through teasing and posturing to naked surrender and final exhaustion ā¦. The camera is highly mobile; often confronting the girl in extreme close-ups, sometimes swooping down from overhead, sometimes searching to ārecaptureā her ā¦. The camera itself is the object of erotic desire, [in] the sense of giving a performance shifting imperceptibly in a helpless self-exposure in response to its constant stare. Clearly, the form of the film was dictated by the response of the performer. Beatrice Cordua proves Dwoskinās most expressive subject to date, and the film is correspondingly āopen,ā the camera having been willing to choose its tactics as direct responses.
Directed by Stephen Dwoskin
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