
In 1959, Jean Seberg stares into Raoul Coutardβs 35mm camera lens and then turns β the closing frame of Godardβs Breathless is the back of her head. For the film it is a closing. For her character it is less clear. Is it a refusal? A denial? A shying away from? An admission of guilt or not caring? A disappearing act? In 2017 on the streets of Berlin, twenty-three women, friends and passersby, reverse Sebergβs action.
Directed by Shelly Silver
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